{"product_id":"canoneftoe-mounttv","title":"Canon EF to E-mount T V adapter","description":"\u003carticle class=\"content2\" style=\"font-size: 14px; text-align: justify; color: #686969; padding: 0px; width: 730px; float: left; margin-left: 25px; min-height: 500px; font-family: Arial, Helvetica, sans-serif;\"\u003e\n\u003cdiv id=\"longdesc\"\u003e\n\u003cp style=\"margin: 0px; padding-top: 0.5em; color: #666666; padding-bottom: 0.5em;\"\u003eTested Camera Bodies:\u003c\/p\u003e\n\u003cul style=\"padding: 0.6em 0px; margin: 0px;\"\u003e\n\u003cli\u003eA9, A7R IV, A7R III, A7R II, A7R, A7S II, A7S, A7III, A7II, A7\u003c\/li\u003e\n\u003cli\u003eA6500, A6400, A6300, A6000, A5000\u003c\/li\u003e\n\u003cli\u003ePXW-FX9\u003c\/li\u003e\n\u003cli\u003ePXW-FS5M2, PXW-FS7M2, PXW-FS5, PXW-FS7, NEX-FS700, NEX-FS100\u003c\/li\u003e\n\u003cli\u003eVENICE \u003c\/li\u003e\n\u003cli\u003eNEX-EA50, NEX-VG900, NEX-VG30, NEX-VG20, NEX-VG10\u003c\/li\u003e\n\u003cli\u003eNEX-7, NEX-6, NEX-5R, NEX-5N, NEX-5, NEX-C3, NEX-3\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin: 0px; padding-top: 0.5em; color: #666666; padding-bottom: 0.5em;\"\u003eLens Compatibility Chart\u003c\/p\u003e\n\u003ctable border=\"1\" cellpadding=\"3\" cellspacing=\"1\" style=\"border: 1px solid #cccccc; border-collapse: collapse; width: 729.6px;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"border: 1px solid #cccccc; border-collapse: collapse;\"\u003e\n\u003ctd style=\"border: 1px solid #cccccc; border-collapse: collapse; font-size: 9pt; vertical-align: top; text-align: left; width: 358px;\"\u003e\u003cstrong\u003eFast AF on all E-mount cameras. Max 10fps AF-C with A9 (Green Mode) and A7III \/A7R IV (Advanced Mode)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"border: 1px solid #cccccc; border-collapse: collapse; font-size: 9pt; vertical-align: top; text-align: left; width: 357.2px;\"\u003e\u003cstrong\u003ePhase-detect AF on A9, A7III, A7RII to A7RIV, A7II, A6500, A6400, A6300 and A6100 only. On other cameras, may not be able to contrast-detect AF accurately if at all. Max 3fps with A7III.\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border: 1px solid #cccccc; border-collapse: collapse;\"\u003e\n\u003ctd style=\"border: 1px solid #cccccc; border-collapse: collapse; font-size: 9pt; vertical-align: top; text-align: left; background-color: #ccffcc;\"\u003e\n\u003cp style=\"margin: 0px; padding-top: 0.5em; color: #666666; padding-bottom: 0.5em;\"\u003eCanon EF8-15mm f\/4L USM Fisheye*\u003cbr\u003eCanon EF-S10-18mm f\/4.5-5.6 IS STM*\u003cbr\u003eCanon EF17-35mm f\/2.8L USM\u003cbr\u003eCanon EF-S17-55mm f\/2.8 IS USM\u003cbr\u003eCanon EF-S18-55\/3.5-5.6 IS II*\u003cbr\u003eCanon EF-S18-135mm f\/3.5-5.6 IS Nano USM*\u003cbr\u003eCanon EF-S18-135mm f\/3.5-5.6 IS STM*\u003cbr\u003eCanon EF24-70mm f\/2.8L II USM*\u003cbr\u003eCanon EF24-105mm f\/4L IS USM (Mark I)\u003cbr\u003eCanon EF28-80mm f\/3.5-5.6 III USM\u003cbr\u003eCanon EF28-80mm f\/3.5-5.6 II\u003cbr\u003eCanon EF40mm f\/2.8 STM*\u003cbr\u003eCanon EF50mm f\/1.2L USM\u003cbr\u003eCanon EF50mm f\/1.4 USM (1993)\u003cbr\u003eCanon EF50mm f\/1.8 STM*\u003cbr\u003eCanon EF70-200mm f\/2.8L IS II USM*\u003cbr\u003eCanon EF70-200mm f\/4L IS II USM*\u003cbr\u003eCanon EF70-200mm f\/4L USM (not IS)\u003cbr\u003eCanon EF70-300mm f\/4-5.6L IS USM*\u003cbr\u003eCanon EF85mm f\/1.2L II USM\u003cbr\u003eCanon EF100mm f\/2.8L IS USM Macro*\u003cbr\u003eCanon EF100mm f\/2.8 USM Macro (2000)\u003cbr\u003eCanon EF100-400mm f\/4.5-5.6L IS II USM*\u003cbr\u003eCanon EF135mm f\/2L USM\u003cbr\u003eCanon EF200mm f\/2.8L II USM\u003cbr\u003eCanon EF300mm f\/2.8L IS II USM*\u003cbr\u003eCanon EF300mm f\/4L IS USM\u003cbr\u003eCanon EF400mm f\/5.6L USM\u003cbr\u003eCanon EF Extender 1.4x (all versions)\u003cbr\u003eCanon EF Extender 2x (all versions)\u003cbr\u003eKenko Teleplus Pro 300 1.4x (note 1)\u003cbr\u003eKenko Teleplus Pro 300 2x (note 1)\u003cbr\u003eSigma 18-35mm f\/1.8 DC HSM Art 013\u003cbr\u003eSigma 18-125mm f\/3.8-5.6 DC OS HSM\u003cbr\u003eSigma 24-105mm f\/4 DG OS HSM Art 013\u003cbr\u003eSigma 30mm f\/1.4 DC HSM Art 013\u003cbr\u003eSigma 50-100mm f\/1.8 DC HSM Art 016*\u003cbr\u003eSigma 50-500mm f\/4.5-6.3 DG OS HSM\u003cbr\u003eSigma 135mm f\/1.8 DG HSM Art 017\u003cbr\u003eTamron 10-24mm f\/3.5-4.5 VC HLD B023*\u003cbr\u003eTamron 15-30mm f\/2.8 VC USD A012 (G1)\u003cbr\u003eTamron 18-270mm f\/3.5-6.3 Di II VC PZD B008\u003cbr\u003eTamron SP 24-70mm f\/2.8 VC USD A007 (G1)\u003cbr\u003eTamron SP 45mm f\/1.8 VC USD F013*\u003cbr\u003eTamron SP 70-300mm f\/4-5.6 VC USD A005\u003cbr\u003eTokina 11-16mm f\/2.8 DX ATX Pro\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"border: 1px solid #cccccc; border-collapse: collapse; font-size: 9pt; vertical-align: top; text-align: left; background-color: #ffffcc; width: 357.2px;\"\u003e\n\u003cp style=\"margin: 0px; padding-top: 0.5em; color: #666666; padding-bottom: 0.5em;\"\u003eCanon EF24-70mm f\/2.8L USM (Mark I)\u003cbr\u003eCanon EF28-70mm f\/3.5-4.5 II (1988)\u003cbr\u003eCanon EF28-135mm f\/3.5-5.6 IS USM\u003cbr\u003eCanon EF35mm f\/1.4L USM (Mark I)\u003cbr\u003eCanon EF50mm f\/1.8 II (1990)\u003cbr\u003eCanon EF100mm f\/2 USM\u003cbr\u003eCanon EF100-400mm f\/4.5-5.6L IS USM (Mark I)\u003cbr\u003eContax N Vario Sonnar 17-35mm f\/2.8\u003cbr\u003eContax N Planar 50mm f\/1.4\u003cbr\u003eContax N Vario Sonnar 70-200mm f\/3.5-4.5\u003cbr\u003eContax N Planar 85mm f\/1.4\u003cbr\u003eSigma 50mm f\/1.4 DG HSM (not Art)\u003cbr\u003eTamron 17-50mm f\/2.8 Di II VC B005\u003cbr\u003eTamron 18-270mm f\/3.5-6.3 Di II VC LD Aspherical [IF] MACRO B003\u003cbr\u003eTamron 18-250mm f\/3.5-6.3 XR Di II LD Aspherical [IF] MACRO A18\u003cbr\u003eTamron 28-300mm f\/3.5-6.3 XR Di VC LD Aspherical [IF] MACRO A20\u003cbr\u003eTamron 28-300mm f\/3.5-6.3 XR Di LD Aspherical [IF] MACRO A06\u003cbr\u003eTamron SP 150-600mm f\/5-6.3 VC USD A011 (G1)*\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border: 1px solid #cccccc; border-collapse: collapse;\"\u003e\n\u003ctd style=\"border: 1px solid #cccccc; border-collapse: collapse; font-size: 9pt; vertical-align: top; text-align: left;\"\u003e\u003cstrong\u003ePhase-detect AF on A9, A7RIV, A7III, A7RIII, A7RII, A7II, A6500, A6400 and A6300. Not known if other cameras autofocus satisfactorily using contrast-detection, and it is not known if the maximum AF-C drive speed of 10fps with A7III \u0026amp; A7RIV can be achieved or not.\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"border: 1px solid #cccccc; border-collapse: collapse; font-size: 9pt; vertical-align: top; text-align: left;\"\u003e\u003cstrong\u003eManual focus only\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border: 1px solid #cccccc; border-collapse: collapse;\"\u003e\n\u003ctd colspan=\"1\" rowspan=\"3\" style=\"border: 1px solid #cccccc; border-collapse: collapse; font-size: 9pt; vertical-align: top; text-align: left;\"\u003e\n\u003cp style=\"margin: 0px; padding-top: 0.5em; color: #666666; padding-bottom: 0.5em;\"\u003eCanon CN-E 18-80mm T4.4 COMPACT-SERVO EF (note 3)\u003cbr\u003eCanon CN-E 70-200mm T4.4 COMPACT-SERVO EF (note 3)\u003cbr\u003eCanon EF 11-24mm f\/4L USM\u003cbr\u003eCanon EF 14mm f\/2.8L II USM\u003cbr\u003eCanon EF 16-35mm f\/2.8L USM\u003cbr\u003eCanon EF 16-35mm f\/4L IS USM\u003cbr\u003eCanon EF 20-35mm f\/3.5-4.5 USM\u003cbr\u003eCanon EF 24mm f\/1.4L USM\u003cbr\u003eCanon EF 24-70mm f\/4L IS USM\u003cbr\u003eCanon EF 24-105mm f\/4L IS II USM\u003cbr\u003eCanon EF 28-300mm f\/3.5-5.6L USM\u003cbr\u003eCanon EF 35mm f\/1.4L II USM\u003cbr\u003eCanon EF 35mm f\/2L IS USM\u003cbr\u003eCanon EF 35-350mm f\/3.5-5.6L USM\u003cbr\u003eCanon EF 70-200mm f\/2.8L IS USM (Mark I)\u003cbr\u003eCanon EF 70-200mm f\/2.8L USM (non-IS)\u003cbr\u003eCanon EF 70-200mm f\/4L IS USM (Mark I)\u003cbr\u003eCanon EF 75-300mm f\/4-5.6 IS USM\u003cbr\u003eCanon EF 85mm f\/1.8 USM\u003cbr\u003eCanon EF 180mm f\/3.5L Macro USM\u003cbr\u003eCanon EF 400mm f\/2.8L IS USM (Mark I)\u003cbr\u003eCanon EF 500mm f\/4L IS USM (Mark I)\u003cbr\u003eSigma 12-24mm f\/4.5-5.6 (Ver I)\u003cbr\u003eSigma 20mm f\/1.4 DG HSM Art\u003cbr\u003eSigma 24mm f\/1.4 DG HSM Art\u003cbr\u003eSigma 35mm f\/1.4 DG HSM Art\u003cbr\u003eSigma 50mm f\/1.4 Art\u003cbr\u003eSigma 70-200mm F2.8 APO EX DG OS HSM\u003cbr\u003eSigma 85mm f\/1.4 EX DG HSM\u003cbr\u003eSigma 150mm f\/2.8 Macro\u003cbr\u003eSigma 150-600mm f\/5-6.3 OS HSM Contemporary\u003cbr\u003eTamron 16-300mm f\/3.5-6.3\u003cbr\u003eTamron 18-200mm f\/3.5-6.3\u003cbr\u003eTamron SP 70-200mm f\/2.8 Di VC USD A009 (G1)*\u003cbr\u003eTamron 70-300mm f\/4-5.6 (not VC)\u003cbr\u003eTamron SP 90mm f\/2.8 Macro\u003cbr\u003eTokina 10-17mm f\/3.5-4.5 DX\u003cbr\u003eTokina 11-16mm f\/2.8 DX II\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"border: 1px solid #cccccc; border-collapse: collapse; font-size: 9pt; vertical-align: top; text-align: left; background-color: #ccffcc;\"\u003e\n\u003cp style=\"margin: 0px; padding-top: 0.5em; color: #666666; padding-bottom: 0.5em;\"\u003eSamyang 35\/1.4\u003cbr\u003eZeiss CP.2 25mm\/T2.9\u003cbr\u003eZeiss CP.2 100mm\/T2.1\u003cbr\u003eZeiss ZE Distagon 15\/2.8\u003cbr\u003eZeiss ZE Distagon 18\/3.5\u003cbr\u003eZeiss ZE Distagon 21\/2.8\u003cbr\u003eZeiss ZE Distagon 25\/2.8\u003cbr\u003eZeiss ZE Distagon 35\/2\u003cbr\u003eZeiss ZE Planar 50\/1.4\u003cbr\u003eZeiss ZE Makro-Planar 50\/2\u003cbr\u003eZeiss ZE Planar 85\/1.4\u003cbr\u003eZeiss ZE Makro-Planar 100\/2\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border: 1px solid #cccccc; border-collapse: collapse;\"\u003e\n\u003ctd style=\"border: 1px solid #cccccc; border-collapse: collapse; font-size: 9pt; vertical-align: top; text-align: left;\"\u003e\u003cstrong\u003eNot supported\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border: 1px solid #cccccc; border-collapse: collapse;\"\u003e\n\u003ctd style=\"border: 1px solid #cccccc; border-collapse: collapse; font-size: 9pt; vertical-align: top; text-align: left; background-color: #ffcccc;\"\u003e\n\u003cp style=\"margin: 0px; padding-top: 0.5em; color: #666666; padding-bottom: 0.5em;\"\u003eFocus confirmation \"chip\" (e.g. Dandelion)\u003cbr\u003eTokina opera 50mm f\/1.4 FF (note 2)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp style=\"margin: 0px; padding-top: 0.5em; color: #666666; padding-bottom: 0.5em;\"\u003e* with smooth iris support\u003c\/p\u003e\n\u003cp style=\"margin: 0px; padding-top: 0.5em; color: #666666; padding-bottom: 0.5em;\"\u003eLenses not listed above have not been tested but will most likely work on A9, A7RIV, A7III, A7RIII, A7RII, A7, A6600 A6500, A6400, A6300 and A6100 using phase detection autofocus. They may or may not autofocus satisfactorily on other cameras using contrast-detection autofocus. It is not known if the maximum AF-C drive speed of 10fps with A7III \u0026amp; A7RIV can be achieved or not.\u003c\/p\u003e\n\u003cp style=\"margin: 0px; padding-top: 0.5em; color: #666666; padding-bottom: 0.5em;\"\u003eNote 1: Note colour dot next to the words \"Made in Japan\" on the housing. Blue dot, which is the latest version, is preferred. May have compatibility issues when Kenko is used with certain lenses and\/or stacked on top of another teleconverter. Stacking not supported except if both are the blue dot version.\u003c\/p\u003e\n\u003cp style=\"margin: 0px; padding-top: 0.5em; color: #666666; padding-bottom: 0.5em;\"\u003eNote 2: Cannot be used due to the unusually high current requirement.\u003c\/p\u003e\n\u003cp style=\"margin: 0px; padding-top: 0.5em; color: #666666; padding-bottom: 0.5em;\"\u003eNote 3: Use of Canon Compact-Servo Cinema lenses such as CN-E 18-80mm T4.4 for still photography is not supported. (Functional, but slower than lenses designed for still photography.)\u003c\/p\u003e\n\u003cp style=\"margin: 0px; padding-top: 0.5em; color: #666666; padding-bottom: 0.5em;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0px; padding-top: 0.5em; color: #666666; padding-bottom: 0.5em;\"\u003e\u003cstrong\u003eEF-E Product Matrix\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0px; padding-top: 0.5em; color: #666666; padding-bottom: 0.5em;\"\u003e\u003cimg alt=\"\" src=\"http:\/\/www.metabones.com\/assets\/p\/ef_e_matrix6.jpg\"\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0px; padding-top: 0.5em; color: #666666; padding-bottom: 0.5em;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch3 style=\"margin: 0px; padding-top: 2px; color: #666666;\"\u003eWhy Metabones®?\u003c\/h3\u003e\n\u003cp style=\"margin: 0px; padding-top: 2px; color: #666666;\"\u003eSince its inception, Metabones has been designing and manufacturing lens adapters recognized among professionals and enthusiasts as leaders in design and workmanship.\u003c\/p\u003e\n\u003cp style=\"margin: 0px; padding-top: 2px; color: #666666;\"\u003eContrary to the popular trend of other factories using an aluminum ring painted black on the camera-body-side, we instead take no short-cut but use precision-machined brass with chromium plating on both the camera-body and the lens sides of our adapters, in order to ensure smooth mounting, great appearance, and durability. The lens side of the adapter features a strong leaf-spring structure, strengthening the adapter-lens connection and ensuring tightness of the lens in order to reduce wear and prevent focus errors and optical alignment issues from appearing.\u003c\/p\u003e\n\u003cp style=\"margin: 0px; padding-top: 2px; color: #666666;\"\u003eMetabones uses matte-black treatment to keep internal reflection to a minimum in order to maintain the maximum optical quality possible with the lens.\u003c\/p\u003e\n\u003cp style=\"margin: 0px; padding-top: 2px; color: #666666;\"\u003eAll Metabones Adapters follow this tradition of uncompromising precision, robust build quality and outstanding finish. Our new Smart Adapter\u003csup\u003eTM\u003c\/sup\u003e series of products add industry-leading electronic interfacing technology from Canada, with true electronic control of the lens' aperture directly from the camera body.\u003c\/p\u003e\n\u003cp style=\"margin: 0px; padding-top: 2px; color: #666666;\"\u003eFeatures\u003c\/p\u003e\n\u003cul style=\"padding: 0px; margin: 0px 0px 0px 30px;\"\u003e\n\u003cli\u003eBoth camera-side and lens-side of the adapter are made of brass, precision-machined and plated with chromium.\u003c\/li\u003e\n\u003cli\u003eSatin surface finish - just like your OEM lens and camera mounts.\u003c\/li\u003e\n\u003cli\u003ePrecise fit and solid connection - lens has no play, gap or wiggling when mounted on adapter and no adjustments are required to fit your lens.\u003c\/li\u003e\n\u003cli\u003eDesigned to reach infinity focus while maintaining the correct registration distance required to maintain optical quality of CRC lenses or lenses with floating elements.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin: 0px; padding-top: 2px; color: #666666;\"\u003eOur Smart Adapter\u003csup\u003eTM\u003c\/sup\u003e  series adapters have the following additional features\u003c\/p\u003e\n\u003cul style=\"padding: 0px; margin: 0px 0px 0px 30px;\"\u003e\n\u003cli\u003eTrue electronic integration of aperture diaphragm - let camera automatically choose aperture in P or S exposure modes, or dial in yourself on the camera body in A or M modes.\u003c\/li\u003e\n\u003cli\u003eEXIF data such as lens identification, focal length and aperture.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cdiv id=\"dialog-confirm\" title=\"\" class=\"ui-widget\" style=\"font-family: Verdana, Arial, sans-serif; font-size: 1.1em;\"\u003e\n\u003cp style=\"margin: 0px; padding-top: 2px; color: #666666;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003cfooter style=\"padding: 10px 0px; position: relative; clear: both; background: url('..\/..\/images\/footer.png') center bottom no-repeat; vertical-align: bottom; font-size: 14px; text-align: justify; color: #686969; font-family: Arial, Helvetica, sans-serif;\"\u003e\u003c\/footer\u003e","brand":"METABONES","offers":[{"title":"Black Matt","offer_id":40128808517765,"sku":"4897050182192","price":560.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0348\/9559\/3605\/products\/26557d21f6a71a83c1ffeaedbdf30d5d593ee7ad.jpg?v=1675953384","url":"https:\/\/riceball.sg\/products\/canoneftoe-mounttv","provider":"RiceballPhoto","version":"1.0","type":"link"}